Zinta Lundborg

Dan Brown brings back Robert Langdon in ‘Inferno’

NEW YORK — Harvard symbologist Robert Langdon is back.

Dan Brown’s latest thriller, the Dante-inspired “Inferno,” puts Langdon in a hospital bed with no memory of how he wound up there. Still, the clever professor is the only one who can figure out the doomsday puzzle, the first macabre piece of which is sewn into his bloody tweed jacket.

Langdon appeared in “The Da Vinci Code,” the literary phenomenon that sold 81 million copies in 51 languages.

Dave Barry talks orangutans, billionaires

NEW YORK — Dave Barry’s latest novel, “Insane City,” features mad hookers, an orangutan named Trevor, Russian gangsters, billionaires dressed as flamingoes and a guru from New Jersey who discovered “how much easier it was to get laid if you were a holy man.”

Pulitzer Prize-winning columnist and author of 30 books, Barry says his most enduring achievement is establishing September 19 as International Talk Like a Pirate Day.

Barry spoke to me by phone from his home in Miami.

Creative Time photo
This gold cover was created to protect the 100 images for Trevor Paglen’s “Last Pictures” project.

Making cave paintings for the future

NEW YORK CITY — There’s a ring of man-made satellites orbiting Earth that will outlast human civilization.

To send a message to the future, artist Trevor Paglen decided to micro-etch 100 images on an ultra-archival disc created by Massachusetts Institute of Technology engineers and blast them up there.

With the support of Creative Time, Paglen finished the five-year project, and “The Last Pictures” will soon launch on the satellite EchoStar XVI.

Encased in a gold-plated shell, the images will circle Earth for the next 5 billion years, ready to be found by a curious extraterrestrial.

I met Paglen at his book-filled downtown apartment overlooking a giant swath of New York harbor.

Q: How did you come to conceive of this idea?

A: I was interested in secret satellites, the idea that you could go out and see things that aren’t acknowledged to be there.

I wanted to know how long it takes for a satellite to come down once it’s been put up into orbit. And then I realized that once you go up to very high altitudes, particularly in the geostationary orbits around 36,000 kilometers (22,356 miles), they never come down.

Q: So you thought, let’s put some art among the dead machines?

A: I thought maybe we should insert some humanity into that, make some kind of cultural mark on one of these spacecraft to acknowledge the fact that we’re putting these things out into time.

I thought this would be sort of a poetic gesture.

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